New Orleans-based visual craftsman Heather Hansen investigates the consolidated specialty of painting and development for her test venture titled Emptied Gestures. Like a dynamic execution
piece, the craftsman utilizes her body to outline activity on a two-dimensional surface. Instead of utilizing any brushes or different devices she takes care of business, moving the dull shade with her
own body. The piece is recorded, regulated, by picture taker Bryan Tarnowski who catches Hansen’s splendid move like developments. The craftsman’s stretched out appendages figure out how to
track and guide their own particular developments onto the sheet underneath her.